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Plein Air Painting-Step by Step


Painting Plein Air-step by step

 

I am reposting a blog post I wrote back in December because it's a useful guide for painting plein air, which a lot of artists are doing now that the weather is warm and sunny.

 

I created this painting demonstration and storyboard for an local community group back in December.  (I am always happy to talk and teach others about painting, so please contact me if you or your group would like a demonstration such as this!  Just email me through my website.)

 

As a demonstration tool, I created a story board, showing the stages I go through to create a generic landscape painting.  (It's actually a view of the South River, from the Rexhame beach area. I know it quite well.)

 

I simply taped off four areas on a 16x20" canvas, giving me approx 8x10" panels to paint upon.  Here's the final demonstration board:

 

 

 

Let me walk you through the steps to create a landscape painting such as this. 

 

Shown below, first I painted the sky background, cool at top, warmer and lighter in value as you go down.   This gives you the illusion of distance.  Paint colors used were altramarine blue (at the top), cobalt blue (in the middle) and cerelean blue (at the bottom).  These were mixed with white and a little naples yellow, to replicate the effect of sunshine. 

 

 

 

I took a paper towel and wiped away the background paint, cleaning the canvas so that I could paint the clouds. 

 

To paint the clouds,  I painted the warm or sunlit areas of the clouds.  

The part closest to you is the warm and it gets cooler (orange and red) as you recede back and down.

Approaching the horizon it's quite light and grayer. This also gives the illusion of distance. 

 

 

Next I blocked in a treeline, including some quite a long distance away (the lavender area).  I always mix my greens, so blues, yellow, orange and even red are used, depending on the value that I'm looking for.  As you can see, the value is quite dark in the foreground trees, and lightens in the farthest treeline. This is important to create that feeling of distance. 

 

 

Lastly, I added the foreground and a river receding back and to the left. 

The foreground is the highest chroma (brightest colors), and the colors grey and lighten as you recede.

The river is darkest and cool in the foreground, and lightens and warms as you recede.  This is due to the reflection of the sky.  Foreground is reflecting directly above you, and as you recede the atmosphere lightens it. 

I added some cyprus trees on the left, breaking up the horizontal bands of the landscape. 

 

 

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Good Times


"Good Times", 8x8, oil on panel

When you bring a bushel of oysters and good friends together, great things happen. 

To herald the coming Spring, I enjoyed some local Island Creek oysters with a few friends.  I am grateful for both.

Another memory maker...

 

 

 

Here's a closeup of the oyster.  It was fun to paint, trying to portray the little nooks and crannies that are in each shell. 

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Beetle Rock, Rexhame


See my blog post on May 9th (yesterday) to see how I started to paint this seascape. I added the final touches, including clouds, today. 

 

 

Here are a few close ups of the brushwork on the wave and rocks. 

 

 

 

Thanks for viewing my blog! Comments are always welcome!

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Work in Progress


 

 

This is my current work in progress. 

 

I am expanding my wave exercises to include a few rocks.  

 

This scene is 1 block away from our beach house at Rexhame Beach.  It's called Beetle Rock (or Beadle Rock, I've seen both.)  It's a great place to launch a kayak, fish for striped bass and just enjoy the sea. 

 

Today I started with a canvas that I had primed months ago to cover up an unsuccessful cow painting. 

 

 

I started by painting the dark shapes/shadow shapes. 

 

 

I mixed three pots of color for the sky, based on cool ultramarine blue on top, cobalt blue in the middle,  and cerulean blue on the bottom. 

 

 

I painted the sky, and pulled some of the colors into the foreground as well.  This will be the 'reflected sky' in the foreground. 

 

 

Next I added the water base.  Its cooler as it recedes, and I have streaks of greenish blue to indicate small waves. 

 

 

Next I added some color to the rocks.  I played around with this using both a palette knife and a brush.  Not too successful so I scraped it.   I never hesitate to scrape my canvas.  It's liberating to start over.  It's rarely successful for me to keep adding paint, so I scrape and try again. 

 

 

 

I work on the rocks a little than decide to move onto the water, both a foreground wave and distant waves.  I didn't like how the foreground wave was turning out, so I scraped the light and shadow shape. 

 

 

This is where I ended today.  I've got a daughter in high school that I pick up every day, so my painting day usually ends at 2pm.  

I hope to work on this again tomorrow. 

 

 

Thanks for viewing my blog! Please comment freely. 

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"Peeking Through" wins Honorable Mention


Peeking Through, 12x12, oil on canvas

"Peeking Through" is a 12x12" oil painting on panel that I painted as a submission to an invitational exhibit at the South Shore Natural Science Center, in Norwell, MA.  I am proud to say that it won an Honorable Mention award.  I was flattered to participate in the show, and thrilled to win this award.  

 

Click here to buy this painting. 

 

 

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Easy Roller


Easy Roller

My quest for painting waves continues...

 

I painted this 8x10" today and think I am finally understanding the anatomy of a wave in it's context. 

 

Click here if you'd like to buy this painting. 

 

 

I like this painting more than most others because I didn't overwork the paint.  

 

The pallette I used was the follwoing fairly limited palette: 3 yellows, three reds, 1 green, and three blues.   A little purple on the side to get those darks. 

 

 

 

Shown above, I premixed my colors for the major shadow shapaes, which I painted first. I placed the shadow shapes as a wash to evaluate the composition and shapes relative to one another. 

 

 

 

 

Than I painted the sea from background to foreground, and the wave shadow shapes and finally the lights on the wave. 

 

 

 

 

Still too cold to go swimming here in Mass, but the Striped Bass will be running soon and I'll be able to fish!  :-)

 

Thank for viewing my blog. 

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Early Breaker


I am still working on the dynamic painting of waves.  

 

I started this small 8x8" painting by blocking in some med and dark values. 

 

 

 

I put in the sky as a medium value as well.

 

 

I added the shadow shapes of the wave.  

 

 

 

I scraped away the 'light' part of the waves.  

 

 

 

I added in the light part of the wave. 

 

 

 

I darkened most values of the painting to make the lights pop out a little bit more. 

 

 

 

These are very challenging to paint, but I'm sticking with it and hopefully will understand the anatomy of the wave and how to paint them.  

 

Click here if you'de like to go to my website to buy this painting. 

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Making Waves


My family has moved back to Rexhame Beach for the summer, and I'm thrilled to see, smell and paint the waves of coastal Mass. 

 

Click here to buy this painting. 

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"Fish Tales" exhibit Opening Reception March 22nd, 6-8:30 pm


Decorated Fish for Scituate Library Fundraiser

"Fish Tales: The Fine Art of Storytelling" is our theme at the Front Street Gallery from March 20th to April 7th with a selection of work by Gallery Artists. In addition, there will be a special preview of some of the decorated carved wooden fish to be auctioned in a benefit for the Scituate Town Library fundraising event, "Go Fish." Opening Reception: Friday, March 22nd, 6 to 8:30 pm

 

 

"Morning Excursion", 12x12, oil on panel

 

 

 

"Incoming Tide",12x16, oil on canvas

 

 

 

"Bass-icly Silver", approx 24" (not a keepah)

(Decorated on both sides, hangable by small loops on top, suitable for indoor or outdoor decor) 

 

 

 

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Don Demers DVD Awesome!


Wave Study No. 4

I have attempted painting waves a few times, with limited success. 

I recently bought the Don Demers DVD on "Marine Painting: The Art of the Wave".  

This is the painting that he and I did...together. LOL.

He was on my computer and I was in the studio. 

 

 

 

Now I get it.  The wave is an object, like an apple, face, or tree.  Only thing is that it's constantly moving, which makes it difficult to paint. 

Want to paint a wave?  Just remember:

  • A wave has a light side and a shadow side.
  • It has reflected light, cast shadows and highlights. 
  • Creating the movement is critical, as is the brush strokes. 
  • I used lots of paint, and limited my values. 

I like it.

You'll be seeing a lot more waves on my blog! 

 

Thanks for viewing my art. 

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